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Measures: 20 - 35
Unique Durations: 4-5
Unique Chords: > 10
Unique Notes: 16 - 20
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edward.maurath
HWV1A3N11 - Gönne nach den Thränengüssen mir
edward.maurath
1:31 Est. Play
Time
24 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 17 35 6 5 100%
Bass 15 2 3 5 100%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 17 35 6 5 100%
Bass 15 2 3 5 100%
Bassoon Continuo Bass 14 0 3 5 100%
Bass
as Raymondo		 Bass 17 0 5 8 75%
Oboe Treble 8 0 2 3 71%
 
HWV1A2N30 - Sanerà la piaga un dì
edward.maurath
3:30 Est. Play
Time
34 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 19 45 6 4 98%
Bass 23 14 5 2 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 19 45 6 4 98%
Bass 23 14 5 2 100%
Bassoon Continuo Bass 22 0 5 2 98%
Soprano as
Almira		 Treble 15 0 3 6 87%
 
HWV5A3N6: Ah sommi Dei, cui la giustizia arruota (Esilena)
edward.maurath
2:16 Est. Play
Time
34 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violoncello (Contniuo) Bass 12 0 4 3 100%
Harp (Continuo) Treble 18 40 5 3 97%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violoncello (Contniuo) Bass 12 0 4 3 100%
Harp (Continuo) Treble 18 40 5 3 97%
Bass 17 20 5 4 83%
Esilena 15 0 6 6 97%
 
HWV8A1N3b - "Ah! Infelice mia patria" Accompagnato for soprano as Amarilli (November 1734)
edward.maurath
1:32 Est. Play
Time
21 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harp Treble 19 27 7 4 100%
Bass 17 13 7 3 100%
View all 9 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harp Treble 19 27 7 4 100%
Bass 17 13 7 3 100%
Amarilli Treble 14 0 5 3 100%
Contrabasses Bass 11 0 4 3 100%
Violas 9 0 2 4 100%
Violins
1		 Treble 12 0 4 3 100%
Violins
2		 Treble 11 0 4 3 100%
Violoncello Bass 11 0 4 3 100%
Violoncellos Bass 11 0 4 3 100%
 
HWV1A2N16vEJM, "No, no, non voglio" (Almira)
edward.maurath
1:41 Est. Play
Time
27 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harp Treble 17 36 5 4 100%
Bass 24 29 7 4 100%
View all 6 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harp Treble 17 36 5 4 100%
Bass 24 29 7 4 100%
Harpsichord Treble 17 36 5 4 98%
Bass 24 29 7 4 100%
Violoncello Bass 20 0 6 4 100%
Almira 14 0 6 4 88%
 
HWV5A3N21 - "Signore, poich'è lo sdegno"
edward.maurath
1:15 Est. Play
Time
27 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violoncello (Continuo) Bass 13 0 3 3 100%
Organo (Continuo) Treble 16 19 4 2 52%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violoncello (Continuo) Bass 13 0 3 3 100%
Organo (Continuo) Treble 16 19 4 2 52%
Bass 16 11 6 4 52%
Florinda 11 0 0 4 52%
Cembalo (Continuo) Treble 9 10 0 3 48%
Bass 12 10 1 4 50%
Evaneo 9 0 2 4 48%
 
HWB 8-B Terpsicore - Sarabande
edward.maurath
1:50 Est. Play
Time
25 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 20 34 7 5 100%
Bass 16 0 4 5 100%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 20 34 7 5 100%
Bass 16 0 4 5 100%
Basso Continuo Bass 16 0 4 5 100%
Contrabasses Bass 16 0 4 5 100%
Violas 15 0 4 5 100%
Violins
1		 Treble 19 0 6 9 100%
Violins
2		 Treble 16 0 5 7 100%
 
Handel: Almira, "Wer umb Geld und Hoheit willen," (Consalvo)
edward.maurath
1:59 Est. Play
Time
21 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsi Treble 17 41 4 4 100%
Bass 19 0 3 4 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsi Treble 17 41 4 4 100%
Bass 19 0 3 4 100%
Continuo Bass 19 0 3 4 100%
Consalvo Bass 16 0 4 4 76%
 
HWV56N05Y1742 - Mesiah - Thus saith the Lord
edward.maurath
1:40 Est. Play
Time
31 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Basso Bass 13 0 3 4 94%
Cello Bass 18 0 4 3 94%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Basso Bass 13 0 3 4 94%
Cello Bass 18 0 4 3 94%
Viola 10 0 0 3 94%
Violin
I		 Treble 14 0 2 3 94%
Violin
II		 Treble 13 0 3 3 94%
Violone Bass 18 0 4 3 94%
BC
LH		 Bass 18 20 5 5 90%
BC
RH		 Treble 16 18 5 4 61%
 
"Occhi belli" from "Il Pastor Fido" HWV 8, 1712
edward.maurath
3:28 Est. Play
Time
26 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 27 69 12 7 100%
Bass 20 24 5 5 100%
View all 6 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 27 69 12 7 100%
Bass 20 24 5 5 100%
Contrabasses Bass 19 0 4 5 100%
Violins
1		 Treble 18 0 4 5 100%
Violoncellos Bass 19 0 4 5 100%
Soprano 12 0 4 9 77%
 
HWV56N38 - "How beautiful are the feet" - 1742
edward.maurath
2:24 Est. Play
Time
25 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violoncello Bass 18 0 4 5 96%
Organo Treble 19 51 4 5 92%
View all 9 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violoncello Bass 18 0 4 5 96%
Organo Treble 19 51 4 5 92%
Bass 15 22 4 5 92%
Violini Treble 18 0 4 8 92%
Contrabasses Bass 16 0 3 5 76%
Violoncelli Bass 17 0 3 5 76%
Soprano 12 0 3 6 68%
Cemballo Treble 17 25 4 5 60%
Bass 14 13 3 5 60%
 
HWV5A3N03 [Eccello Giove] ... fissi stan la fortuna e il fato
edward.maurath
1:29 Est. Play
Time
23 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Contrabass Bass 10 0 2 4 100%
Contrabassi (Continuo) Bass 10 0 2 4 100%
View all 12 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Contrabass Bass 10 0 2 4 100%
Contrabassi (Continuo) Bass 10 0 2 4 100%
Viola 11 0 3 4 100%
Viole 11 0 3 4 100%
Violin Treble 13 19 4 4 100%
Violini Treble 13 19 4 4 100%
Violoncelli (Continuo) Bass 10 0 2 4 100%
Violoncello Bass 10 0 2 4 100%
Violoncello (Continuo) Bass 10 0 2 4 96%
Rodrigo 13 0 5 3 91%
Cembalo (Continuo) Treble 18 26 7 5 88%
Bass 18 15 6 6 79%
 
HWV56N39 - Their sound is gone out - (1743)
edward.maurath
1:08 Est. Play
Time
23 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 20 58 4 4 100%
Bass 16 4 2 4 100%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 20 58 4 4 100%
Bass 16 4 2 4 100%
Cello Continuo Bass 16 0 2 4 100%
Contrabass Bass 16 0 2 4 100%
Tenor 11 0 2 5 96%
 
"Nel tuo seno" from "Giulio Cesare," HWV 17 (1724)
edward.maurath
2:34 Est. Play
Time
27 Measures
1,274Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 13 12 2 6 96%
Bass 17 9 1 5 96%
View all 10 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 13 12 2 6 96%
Bass 17 9 1 5 96%
Harp Contnuo Treble 21 42 3 6 96%
Bass 18 14 2 5 96%
Contrabassi Continuo Bass 14 0 1 5 96%
Violini 1 Treble 19 0 2 6 96%
Violini 2 Treble 19 0 2 6 96%
Violoncelli Continuo Bass 15 0 1 5 96%
Violoncello Continuo Bass 15 0 1 5 96%
Cornelia Contralto 10 0 2 5 78%